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represented by Galerie de Roussan, Paris

  Les Aimants
  Coup de Soleil
  Phone Booth Project
  Untelling, retelling The River
  Seeking a Meridian
  Benevolent Asylum: just for fun
  Benevolent Asylum
  Reading Aloud & BookBUS
  Border Crossings
  Deadman Monologue
  First Love
  Bordertown
  Endless Summer
  The perfect future game
  I want to break free
  Dangerous Liaisons
  Paint Tin Fantasias
  Sleepwalker
  Blinded by the Light
  Burning Memory
  Approach
  Timeslots
 

 

Dangerous Liaisons
Linden - St Kilda Centre for Contemporary Arts 2005

Dangerous Liaisons deals with representations of class in painting and film. Cinema offers a framework for a critique of class division in society that that is widely felt to be irrelevant or non-existent in cultural theory today, yet contemporary cinema continues to explore and uphold class distinctions. Looking intently at a handful of recent films, it is clear that the substance of a good movie is the main character's inner conflict. They might be ensnared in the vanity of upper-class boredom as in Dangerous Liaisons, or hell-bent on home improvement like the Kerrigan family in The Castle. Each of the characters from the movies included in this exhibition is embroiled in a circumstance of individual class struggle. With a wing-backed chair and fleur-de-lys curtains, Dangerous Liaisons recreates an aristocratic salon that is the stage for the unfolding of a dramatic scene.