Curriculum Vitae
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RECENT SOLO PROJECTS
2013 Les Aimants, Galerie de Roussan, Paris.
2012 The Phone Booth Project, in collaboration with Martu filmmaker Curtis Taylor, commissioned for We Don't Need a Map, Fremantle Arts Centre, Western Australia.
Anti-panopticon, installation and live performance Museum of Freud's Dreams, Saint Petersburg, Russia.
The Woman in the Bridge, continuous live performance at ArtBAR, Museum of Contemporary Art, Sydney.
2011 Seeking a Meridian, Galerie de Roussan, Paris.
Benevolent Asylum: just for fun, in collaboration with WART, WALK commission, Performance Space, Sydney.
Benevolent Asylum: an eclipse of historical fiction, Fremantle Arts Centre, Fremantle, Western Australia.
2010 BookBUS, various sites Sydney, commissioned by P4 (pilot) and Performance Space
Being of the Book, performance installation, 2010 International Book Conference, St Gallen, Switzerland
Being of the Book, performance installation, Fremantle Arts Centre, Western Australia
2009 First Love, GRANTPIRRIE, Sydney
Deadman Monologue, Canberra Contemporary Art Space
No place like, performance installation, Lyndal Jones’ “Eco Living Festival”, Avoca, Central Victoria
Endless summer: sunglasses and the spectacle of vision, Experimental Art Foundation, Adelaide
Bordertown, Conical Contemporary Art Spaces, Fitzroy
2008 Bordertown, Artpace, Sydney
2007 Endless summer: sunglasses and the spectacle of vision, Studio 12 Gertrude Contemporary Art Spaces, Fitzroy
2006 I want to break free, Karen Woodbury Gallery, Melbourne
2005 Dangerous Liaisons, Linden Centre for Contemporary Arts, St Kilda
2004 Paint Tin Fantasias, The Farm, Brisbane
SLEEPWALKER: cinema & dreams, Kings ARI, Melbourne
Blinded by the Light, Karen Woodbury Gallery, Melbourne
2003 Blinded by the Light, Bus Gallery, Melbourne
Blinded by the Light, Perth Institute of Contemporary Arts, Perth
2002 Burning Memory, Imperial Slacks, Surry Hills, Sydney
2001 Burning Memory, TCB inc. ART, Melbourne
2000 Time Slots, Spencer Street Gallery, West Melbourne

SELECTED GROUP EXHIBITIONS
2013 ART PARIS Fair, with Galerie de Roussan, Paris.
2012 Eschatologie, Galerie de Roussan, Paris.
Build me a city, 2012 Adelaide Architecture Biennale, Australian Experimental Art Foundation, Adelaide.
21 x 29,7, curated by Jean-Jacques Lebel & Nabila Mokrani, Galerie de Roussan, Paris.
'retelling, untelling Two Rivers,' in I Would Breathe Water, curated by Kit Wise, Sarah Scout Presents, Melbourne.
'IMPORT/EXPORT', Kassel, initiated by Vassiliea Stylianidou.
'Polar Time,' in Formal Intensity: Australian Art Today, for the Australian Embassy, Tsagaandarium Art gallery, Ulaanbaatar, Mongolia.
BOOKS UNFOLDED VOL.2 a project based on Vassiliea Stylianidou's book, initiated by STUDIO_VISITS, Berlin
'Bordertown: excise,' in Seeing Books: artist books arising from postgraduate research, curated by Dr Anne Bennett, Heritage Library at the Royal Society of Victoria, Melbourne.
HOLIDAYS IN GREECE, a performative installation, STUDIO_VISITS, Berlin.
Polar Time, 'Suspended' Perth Cultural Centre public LCD screening, Perth.
The Appin Project, Appin Motel, New South Wales, curated by Lisa Andrew and Bronia Iwanczak.
2011 Seeing to a Distance: Single channel video work from Australia, Level 17 Artspace, Melbourne.
The gravity of the situation, Monash University Art & Design Faculty Gallery, Caulfield.
SubText (Artists and writing), West Space, Melbourne.
2010 Some kind of intermission: live in store, collaboration with Robert Cook, for P4 (pilot)Perth Institute of Contemporary Arts, Perth
Babel Projekt, Woodford Festival, Queensland (curated by Pat Hoffie)
West Space A4 Art, West Space, Melbourne
PICA Salon, Perth Institute of Contemporary Arts, Perth
The Shilo Project, Ian Potter Museum of Art, Melbourne University (touring)
2009 To Whom it May Concern, Karen Woodbury Gallery, Melbourne
The Arthur Guy Memorial Painting Prize, Bendigo Art Gallery, Bendigo
2008 The Leisure Class, Australian Cinématèque GoMA Brisbane
Home. Lismore Regional Gallery, Lismore, New South Wales
Time and Again, Melbourne City Laneways writing project, Melbourne
New Work 2008: Drawing a Conclusion, curated by Danny Lacy, Hell gallery, Melbourne and Peloton, Sydney
2007 Arc Biennial, QUT Museum, Brisbane (forthcoming)
The last thing I remember… University Art Gallery, The University of Sydney, Sydney.
The Arthur Guy Memorial Painting Prize, Bendigo Art Gallery.
Too near too far exhibition, C/O careof gallery, Milan.
Kiosk: Modes of Multiplication, Artists Space, New York
2006 Studio Artist Exhibition Gertrude Contemporary Art Spaces
The Kilgour Painting Prize, Newcastle Region Gallery
The last thing I remember... Switchback gallery, Monash University
2005 You’re So Vain, Karen Woodbury Gallery, Richmond
Murdoch Travelling Fellowship, VCA Gallery, Melbourne
2004 Imaging the Apple, RMIT Projectspace, Melbourne
Imaging the Apple, Ballarat Fine Art Gallery, Ballarat
2003 Art+Film, Centre for Contemporary Photography, Fitzroy
Royal Rumble, Kings Artist Run Space, Melbourne
Murdoch Travelling Fellowship, VCA Gallery, Melbourne
2002 Mnemotech, Perth Institute of Contemporary Arts, Perth
Towards Colour, McClelland Gallery, Langwarrin, Victoria
2001 Look See: five contemporary painters, Monash University Gallery, Clayton
One for the Ladies, Penthouse & Pavement, Melbourne
UBS Touring Show, Basel, Zurich, Geneva, Monaco & Munich
ANZ Visual Art Fellowship, ANZ Building, Melbourne
2000 UBS Art Award, Whitechapel Gallery, London
A Brush with Death, LaTrobe Street Gallery, Melbourne
Inaugural Exhibition, Dickerson Scott, Richmond
Award Winner’s Exhibition, VCA Gallery, Melbourne
1999 National Works on Paper, Mornington Peninsula Regional Gallery
ANZ Visual Art Fellowship, ANZ Building, Melbourne
MINE, 121 Victoria St, Fitzroy
Exchanging Places, Ray Hughes Gallery, Sydney
1994 19, Charles Nodrum Gallery, Richmond

AWARDS
2001 Finalist, ANZ Arts Fellowship Award, Melbourne
2000 National Winner, UBS Art Award, Whitechapel Gallery, London
Finalist, Brett Whiteley Travelling Art Scholarship, Sydney
1999 Postgraduate Award, National Gallery of Victoria Women’s Association
School of Graduate Studies, Academic Activity Grant, University of Melbourne
Finalist, ANZ Arts Fellowship Award, Melbourne
Honourable mention, Jacques Derrida Exhibition

COLLECTIONS
BHP Billiton Collection, UBS Private Banking Collection, Basel, Switzerland, Melbourne; Private collections; Melbourne, Adelaide, Sydney & London

SELECTED BIBLIOGRAPHY
Gardner, A. (2006) “The Theatre of Painting”, Karen Woodbury Art Fair catalogue essay.
McFarlane, K. (2006) “Object Relations”, I want to break free exhibition catalogue essay.
Frost, A. (2006) “I want to break free”, Australian Art Collector, Issue 37, July-September p.296.
Khan, J. (2005) “You probably think this essay is about you…” You’re so vain exhibition catalogue essay.
Stanhope, Z. (2004) “Can’t live, if living is without you”, Paint tin fantasias exhibition catalogue essay.
Marsh, A. (2004) “Lily Hibberd: A Painter’s Cinema”, Eyeline, Number 55, pp.34-35.
Cook, R. (2004) “Lily Hibberd”, Art & Australia, Vol 41/4, p. 598.
Hall, K. (2004) “Art+Film”, Photofile 70, p.73.
Edwards, D. (2003) “The Art of In-Between”, RealTime, No. 57, October-November, p.26.
Colless, E. (2003) “Off Your Face”, Blinded by the Light exhibition catalogue essay.
Erickson, D. (2002) “Mnemotech: sense+ scape+time+memory”, Artlink vol. 22/#4, p44-45.
Baxter, V. (2002) “Lily Hibberd”, RealTime, No 50, August-September, p.18.
Peers, J. (2002) “Burning Memories”, Artlink vol. 22, #17, p.93.
Bullock, N. (2001) “Wall of Fire”, Burning Memory exhibition catalogue essay.
Bullock, N. (2001) “Moving through space”, Look See: five contemporary painters exhibition catalogue essay.

CURATING, EDITING & PUBLISHED WRITING
2010 Curator, Unseen forces, ICAN (Institute of Contemporary Art, Newtown), Sydney.
2004-6 Founding editor un Magazine issues #1–#7.
2006 Co-editor Photofile 76, “Shifting Ground”, with Natasha Bullock (Curator Contemporary Art AGNSW).
2006 Curatorial advisory team, Rapt!: 20 contemporary artists from Japan.

HIGHER EDUCATION
2010 2010 Doctor of Philosophy, Faculty of Art & Design, Monash University, Australia.
2001 Master of Fine Art, Victorian College of the Arts, Melbourne, Australia.
1999 Postgraduate Diploma in Fine Art, Victorian College of the Arts, Melbourne, Australia.
1993 Bachelor of Fine Art, Monash University, Australia.